By the end of the audition day, Sher moved to an adjacent room where he and Bernard Telsey, the casting director, stood in front of a wall filled with pictures of the young men they had seen. Sher got out of it by attending College of the Holy Cross in Worcester, Mass., though after he graduated, he returned to San Francisco to teach at St. Ignatius. auditions.” Telsey opened his mouth, but Sher kept going. Directed by Bartlett Sher PlayDramaOriginal. The play won four 2017 Lucille Lortel Awards: Outstanding Play, Outstanding Director for Bartlett Sher, Outstanding Lead Actress in a Play for Jennifer Ehle and Outstanding Featured Actor in a Play for Michael Aronov. He casts himself as an odd hybrid of artistic provocateur and St. Bernard emotional-rescue squad. It was pitched quite high emotionally. Other Enchanted Evenings Sher directed acclaimed productions of The Barber of Seville at the Metropolitan Opera (top) and The Light in the Piazza on Broadway (bottom). Better still, but when he left, Sher threw up his hands. Sher climbed up to the stage and back down again like a mountain goat and ran across the passerelle that circled the orchestra pit. Bartlett Sher Photos - Award Recipient Bartlett Sher speaks on stage during 32nd Annual Lucille Lortel Awards at NYU Skirball Center on May 7, 2017 in New York City. “The accidents pulled me outside of my experience,” he said. Perhaps a bit of both. But Sher was resolute. Because through the mists of memory it has become so good” his laughter was nervous “that we apparently have to be better than it probably was. In 2006, Sher also made his debut at the Metropolitan Opera with “The Barber of Seville,” in which he used a “passerelle,” a walkway that extended past the proscenium (for the first time in the Met’s history), creating an intimacy between performers and audience that proved electrifying. The Ezio Pinza role had already gone to the opera singer Paulo Szot, and Kelli O’Hara, who most recently tore up the Broadway stage with Harry Connick Jr. in “The Pajama Game,” won the heated contest to play Nellie Forbush, the role originated by Mary Martin. I could see a true intellectual whose love of ideas is as earnest, in the long-winded way he can discuss them, as his seemingly fervent hope that in doing so, he might obscure his most private feelings. (April 2005) : Directed "The Light in the Piazza" musical by Adam Guettel and Craig Lucas, based on the novel by Elizabeth Spencer (Lincoln Center/Vivian Beaumont Theater, New York City, New York, USA). THE KING AND I directed by Tony Award® Winner Bartlett Sher won four 2015 Tony Awards® including Best Revival of a Musical. Bartlett Sher (born March 27, 1959), (also "Bart") is an American theatre director. “He took care of my mom, who was so overwhelmed by the experience of my father’s betrayal,” he said. Get premium, high resolution news photos at … “He’s your commanding officer, O.K.? The nominees from Broadway theater productions were announced May 1 and the 72nd Annual Tony Awards will take place on June 10, 2018 at Radio City Music Hall in New York City. It was early November, and casting for the first Broadway revival of Rodgers and Hammerstein’s “South Pacific” since its 1949 premiere had been under way for 10 months. he never proselytized about it. It was two O.K. I’m not afraid of it. It seemed clear, as Sher leapt to the passerelle in his rush to give her six reasons, that the Bartlett Sher repertory company had claimed its newest member. Sher’s contract is up in 2009; last year he spent 210 days in New York. “There’s no reason to do it.” Vassallo looked pleadingly at the translator. “In opera, you spend a lot of time breaking artists of bad habits or helping them discover new things in the work,” he said. “But once you get in there with him, it’s like being in a wonderfully dysfunctional family. “Is that right?” he asked the assistant director. 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Somewhat eclipsed by his recent successes in New York (at least for New Yorkers) is the fact that he remains artistic director of the Intiman Theater in Seattle, a job he has held since 2000 and has done sparklingly enough to help the Intiman earn the 2006 Tony for Outstanding Regional Theater. “Don’t hit every word. A man in constant, almost frantic motion, Sher would rather dazzle than reveal. “He wants to put the apron on earlier,” he told him. Bartlett Sher Bartlett Sher, Lincoln Center Theater Resident Director: Blood and Gifts, Women on the Verge of a Nervous Breakdown, Joe Turner’s Come and Gone (Tony nomination), South Pacific (Tony, Drama Desk and Outer Critics Circle Awards/also directed current London and Australia productions), Awake and Sing! All I’m being is passionate about it. He is famous for creating his own company, or family, of talent. The play won the 2017 Tony Award for Best Play as well as the Best Featured Actor in a Play award for Michael Aronov.. It’s too much.” The second time was better. I will stay there with them all the way to the end of it. Craig Lucas - Wikipedia The musical was directed by Bartlett Sher, choreographed by Jonathan Butterell, with lighting by Christopher Akerlind, set by Michael Yeargan and costumes by … In a nod to the play’s history, Sher insisted on staging it at the Belasco Theater on Broadway, where it was done originally in 1935. There is not a genre that Tony Award winning director Bartlett Sher has not explored in his varied, celebrated career. “The big perfect voice is not always the point,” he said. ... reaping rave reviews and awards buzz. The following year, Sher received another Tony nomination, this time for Best Direction of a Play for his innovative revival of Clifford Odets’s “Awake and Sing!” Also for Lincoln Center Theater, it starred Mark Ruffalo and Lauren Ambrose. “It was unique in that it was a memory play in 1949 from an experience the entire nation had just gone through. Bartlett Sher Joseph Marzullo/WENN “I come from a very large family of seven kids, which was always pretty rough and tumble,” Tony Award-winning director Bartlett Sher says. He has all the intelligence, he just needs some help.”. I think that’s an essential component of being a good artist.”, Yes, and everyone loves the compassion part. When he was 9, Sher discovered that his father, Joseph, an insurance broker, whom he describes as “a brilliant businessman, very charismatic,” was not only a world-class philanderer but, as if seven children weren’t enough, had a second family with another woman. Originally published May 19, 2009 at 12:00 am Updated May 19, 2009 at 2:16 pm Opera, unlike the theater, is an ongoing jigsaw of international scheduling that draws from a limited pool of performers who tend to sing the same roles no matter the company. Do we have a shared experience we can refer to?’ As an interpretive American artist, I see my job as staying in touch with the national memory which is in the stories.”, Sher feels keen pressure that the show be a hit, part of the reason it took 10 months to cast. “The family divided up over who was on Dad’s side and who was on Mom’s side. The production is currently playing an open-ended Broadway run at the Vivian Beaumont Theater (150 West 65 Street). “It goes off like firecrackers.”. And those experiences made me an individual in a family of seven. “It always happens,” Sher said. He cradled his chihuahua onstage as Sher watched from the audience. He is known for having won both the Tony Award and the Drama Desk Award in 2008 for Best Director of a Musical for his production of South Pacific. Unfortunately, not all of the singers shared his goal; besides hitting the high notes, most of them are usually not called upon to explicate scenes with physical comedy. I have to find the right time to break his heart.” The woman didn’t blink. Get premium, high resolution news photos at Getty Images Bartlett Sher '81, director of the award-winning musical, The Light on the Piazza, returned to alma mater on Oct. 27 to meet with students and attend an open discussion session with Steve Vineberg of the College's theatre department. I eventually broke my elbow, wrist and hand.”, He somehow turned around the need to sustain wounds to being the one who fixes them. I think that’s made me a richer and more interesting person and gives me more insight and more compassion for the situations I’m in. That approach has earned Sher a … “He’s afraid he can’t get it on in time for the next joke.” That is exactly the kind of shortcut, out of order and without motivation from the text, that Sher abhors. Others agreed. After moving on to Hartford Stage Company as associate artistic director, he freelanced, doing what he calls “the Willy Loman world tour, directing ‘Romeo and Juliet’ in Portland, Me., ‘The Threepenny Opera’ in North Carolina and ‘Richard III’ in Cleveland,” among many, many others, before going to the Intiman. But it was O’Hara’s nuanced portrayal of the daughter, a complex, potentially alienating character for a musical, developed in concert with Sher in one of his signature push-pull collaborations, that compelled the audience to root for this unlikely heroine. The good news is that the singers arrive knowing the music. Taking ‘South Pacific,’ this beloved piece, what I’m afraid of is that I won’t be able to realize it for everybody.” His expression changed from scared to stubborn: “And I hold onto that as part of what motivates me.”, We met a month later at the Metropolitan Opera in New York, where “Barber of Seville” had returned to the repertory with a less-stellar cast than when it opened. In Sher’s production, as the lives of a Jewish family in the Depression-era Bronx unraveled, the walls of their apartment lifted in tiny increments, until by the end, the characters were completely exposed to the brutal elements outside. “O.K.,” she said. Based on that tour de force, Sher is lined up for two more productions at the Met, and in August, his “Roméo et Juliette” will open at the Salzburg Festival. He received both the 2008 Tony Award and the Drama Desk Award for his direction of the Broadway revival of South Pacific. “Do it again and hold it together,” Sher told him. Bartlett Sher is currently represented on Broadway by Fiddler on the Roof and The King and I (Tony Award nomination). He has an artistic home at Lincoln Center Theater too, where André Bishop is his champion and a major force behind his directing “South Pacific.” It also didn’t hurt that when Sher took over “Piazza” after a problematic out-of-town tryout and turned it into a hit, he won the admiration of Mary Rodgers Guettel, Adam’s mother, who is also Richard Rodgers’s daughter and the family representative to the Rodgers and Hammerstein Organization. Bartlett Sher is the Resident Director of Lincoln Center Theater, where his productions include Lerner & Loewe's My Fair Lady, J.T. He’s on the phone with them all night long, saying, ‘I’ll fix it, don’t worry.’ He’s optimistic it will all work out. But I had no tools for processing that. The first Broadway revival of SOUTH PACIFIC played to sold-out houses for over two years and was broadcast live on PBS on August 18, 2010. I still remember being taken at 6 to the intensive-care unit at the hospital in Santa Rosa and hearing a doctor say, ‘We can’t handle this here.’ But I don’t remember the accidents as being internally traumatic. Bartlett Sher ’81 is director of the award-winning musical, The Light in the Piazza , currently playing at New York’s Vivian Beaumont Theater, through Sept. 4. “I’m cutting the dog tomorrow, I don’t think it works. In 2005, Sher (pronounced sheer) was nominated for a Tony Award for Best Direction of a Musical for his exquisitely designed, fluidly staged production at the Beaumont of Craig Lucas and Adam Guettel’s “Light in the Piazza.” The story, set in Florence in the 1950s, is about an American mother traveling with her adult daughter who still suffers the effects of a childhood brain injury. We weren’t in therapy or watching Oprah. He’s your boss.” Deflated, the actor did it again. The Lincoln Center Theater’s critically acclaimed production of OSLO, a gripping new play by J T Rogers, directed by Bartlett Sher, was awarded ‘Best Play’ at last night’s 2017 Tony Awards ® in New York.. No one had realized his fear of heights was so extreme. I was considered, not by my own analysis but by others, to be a more highly sensitive child in terms of being aware of other people’s emotional situations. He gets right in there with these casts. He spent three months in casts. If he hadn’t told me, though, I might not have noticed. Um, I didn’t express it by going to the ballet or something. He watched a scene change he didn’t like. After some coaxing, though, he dropped the context and got specific. His loyalty and commitment to those he loves is as blindingly intense as his loyalty and commitment to his work. It is also a serious institutional investment by Lincoln Center Theater in the career of Bartlett Sher (known as Bart), who, in the last few years, has emerged as one of the most original and exciting directors, not only in the American theater but also in the international world of opera. Winner of six Tony Awards, five Drama Desk Awards and two Outer Critics Circle Awards, The Light in the Piazza is the work of Adam Guettel and Craig Lucas. He walked among the singers during their scenes, invariably pulling them closer to the audience. “This is exactly where everyone goes, ‘Zzzzzzz,’ ” he told me. If you know nothing about Broadway economics, all you need to know is that that constitutes a fortune. José Manuel Zapata, the Spanish tenor making his Met debut, had a terrible cold, coughing and sneezing as he climbed a tall ladder to a balcony on the set in a bit of comic business. I feel blessed in having had the upbringing I had because it was chaotic and difficult. Rogers’ Oslo (Tony nomination), Rodgers & Hammerstein’s The King and I (Tony nomination), Golden Boy (Tony nomination), Blood & Gifts, Women on the Verge of a Nervous Breakdown, Joe Turner’s Come and … He told me he loved me just as much if I drank too much and screwed up as he did when I was sober.”, Sher’s father died at 58, when Sher was in college. I know my panic deeply, and maybe I’m working on my panic, but I’m totally sensitive and sweet to other people on their panic and fear. I would take everybody’s chaos and help push through it.”, He sighed. When he was 11, his mother, Aird, met Doug Chung, a Chinese-Hawaiian bartender, at Trader Vic’s. I do it over and over and over again, and they get tired and cranky and think I’m yelling at them. Cher (/ ʃ ɛr /; born Cherilyn Sarkisian; May 20, 1946) is an American singer, actress and television personality.Commonly referred to by the media as the "Goddess of Pop", she has been described as embodying female autonomy in a male-dominated industry. “I know I have to go there now, but I don’t have reason to go there,” she said. Bartlett Sher, Tony Award-winning director, to leave Intiman . Rogers, Women on the Verge of a Nervous Breakdown by Jeffrey Lane and David Yazbek, August Wilson’s Joe … “That’s pearly mist,” Sher proclaimed once he’d left. He spent much of first grade wearing a helmet. Cher is known for her distinctive contralto singing voice and for having worked in numerous areas of entertainment, as well as … If the résumé seems a bit overwhelming, the gratifying part is that Sher is no kid. He had trouble whipping it around him, and he had trouble tying it behind him. “When you’ve worked on something in rehearsal, you have to be brave enough to allow it to be pretty bad and not get overwhelmed by that,” he said. He had been so busy selling himself that he had forgotten what he was reading. Age, Birthday & Horoscope Bartlett Sher current age years old. “But he’s earned the right to have the career he’s having.”, The theater being the theater, everybody loves a star and wants the star to love him back. He earned his sensitivity badge the hard way. “You need to get through all the plot and keep the audience engaged. The nominees from Broadway theater productions were announced May 1 and the 72nd Annual Tony Awards will take place on June 10, 2018 at Radio City Music Hall in New York City. “Bart seems to have come out of nowhere with ‘Piazza,’ ” said André Bishop, artistic director of Lincoln Center Theater. Translation? Santino Fontana & Seth Rudetsky 2/21 8 PM ET, Brian Stokes Mitchell & Seth Rudetsky 2/28, Outer Critics Circle Awards - 2019 - Outstanding Director of a Play, Tony Awards - 2019 - Best Direction of a Play, Drama Desk Awards - 2018 - Outstanding Director of a Musical, Outer Critics Circle Awards - 2018 - Outstanding Director of a Musical, Tony Awards - 2018 - Best Direction of a Musical, The Lortels - 2017 - Outstanding Director, Tony Awards - 2017 - Best Direction of a Play, Drama Desk Awards - 2016 - Outstanding Director of a Musical, Tony Awards - 2015 - Best Direction of a Musical, Drama Desk Awards - 2014 - Outstanding Director of a Musical, Bartlett Sher, The Bridges of Madison County, Tony Awards - 2013 - Best Direction of a Play, Outer Critics Circle Awards - 2009 - Outstanding Director of a Play, Bartlett Sher, Joe Turner’s Come and Gone, Tony Awards - 2009 - Best Direction of a Play, Bartlett Sher, Joe Turner's Come and Gone, Drama Desk Awards - 2008 - Outstanding Director of a Musical, Drama League Awards - 2008 - Founders Award for Excellence in Directing, Outer Critics Circle Awards - 2008 - Outstanding Director of a Musical, Tony Awards - 2008 - Best Direction of a Musical, Outer Critics Circle Awards - 2006 - Outstanding Director of a Play, Tony Awards - 2006 - Best Direction of a Play, Outer Critics Circle Awards - 2005 - Outstanding Director of a Musical, Tony Awards - 2005 - Best Direction of a Musical, The Lortels - 2002 - Outstanding Director. “Oh, when I think it’s just so bad I’m going to be blamed and it’s all wrong and we’re gonna die,” he said, attempting a laugh. He sang “Younger Than Springtime” wonderfully but couldn’t hit the high note. The show was a triumph for its star, Victoria Clark, who played the mother and won a Tony. Bio. Bartlett Sher: But I also think there’s a distinction between a revival and a new musical. He did it, looking hopefully at Sher, but Sher’s eye was on Garanca. A HANDS- (AND FEET-) ON DIRECTOR: Sher in the thick of rehearsals for South Pacific, with Kelli OHara (far left and right) and the chorus for Im Gonna Wash That Man Right Outa My Hair.. I was the one getting hurt. “I wasn’t close to him, even at the end,” he said. It’s a big order.”, Bishop gave Sher nearly six weeks of rehearsals and four and a half weeks of previews to develop the show. It helped that we got kicked out of the conference room and needed to search for an empty office without ringing phones. He also directed “The Wedding Singer” on Broadway in 2006. Now, with the new play Oslo, international headlines fuel the drama. Not remotely as hard as he pushes himself. Sher speaks easily of his “Chinese relatives” and says that for him, one of the most compelling elements in “South Pacific” is its formation of a mixed race (Caucasian and Pacific Islander) family. The next young man entered the audition room, fresh off the plane from Pittsburgh. Equally successful in theater, opera, and musicals, the celebrated American director, who has been nominated for six Tony Awards, received both the Tony and the Drama Desk Award for the universally acclaimed Broadway revival of South Pacific (2008). But he’s going to push you to get on your game. Sher had him do it a third time. I think it was Kenneth Tynan who wrote that Mary Martin had a ‘corklike buoyancy’ and Bart has that, even though he’s quite intense. Sher paid close attention to the recitatives between the arias. The bad news is they’ve sung it the same way for so long that they’re not willing to change much. I could see a devoted husband, to the Yale-trained actress Kristin Flanders, and father, to 7-year-old Lucia, realize he was inadvertently neglecting them even in the increasingly rare time he’s home, sitting at dinner solving staging problems in his head. Winner of six Tony Awards, five Drama Desk Awards and two Outer Critics Circle Awards, The Light in the Piazza is the work of Adam Guettel and Craig Lucas. One crisis averted while another brewed in the form of Bruno Praticò, a heavyset Italian singer wearing a pour of scarlet cashmere around his neck and a flashing diamond pinkie ring. He taught there and in San Diego before landing at the Guthrie Theater in Minneapolis, where he spent five years learning at the feet of its artistic director, Garland Wright “the consummate visual master storyteller giant epic director,” he said who became his mentor. “I’m wondering now if I can trust how to find my way through it without taking in all that chaos. At 6, playing baseball on the beach, he was hit full force in the head with a wooden bat that crushed part of his skull. Presented By Learning From Performers. I am trying to change the emotional bed. . Franco Vassallo, who played the barber, struggled with the apron he was supposed to put on Praticò as he sat for a shave. Bartlett Sher, also "Bart", is an American theatre director. “Bart digs deeply, more than some people think is necessary,” O’Hara told me. “Bart is a great collaborator, quite malleable, but like all gifted people, he has a sure sense of where he’s at inside,” Bishop told me. Director Bartlett Sher arrives for the 2018 Tony Awards Meet the Nominees press junket at the InterContinental New York Times Square Hotel on May 2, 2018. “He’s going to do really well, so we might as well help him learn a few things.”. After some grumbling, the Italian translator approached Sher. – John Rando won the Tony Award for Best Direction of a Musical for “Urinetown the Musical” in 2002. “Humiliation. “O.K.! He received both the 2008 Tony Award and the Drama Desk Award for his direction of the Broadway revival of South Pacific. He is known for his exhaustive preproduction preparation (everything from researching the art history of a period to breaking down speech rhythms to explore alternate meanings in a text), and he prizes the interaction of the rehearsal and preview processes so much in the excavation of a character’s psyche that he demands that his collaborators think for themselves, fight back and fight often. When you’re guiding a new musical, you have so much pressure. Bartlett Sher is the Resident Director of Lincoln Center Theater, where his productions include Lerner & Loewe's My Fair Lady, J.T. Get premium, high resolution news photos at Getty Images Sher shook his head. He is the Resident Director of Lincoln Center Theater, where he has directed Golden Boy by Clifford Odets (Tony Nomination), Blood and Gifts by J.T. Tony Award-winning Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great traged… “The thing about directing is it’s really about managing a lot of very mostly damaged people. Which is why many of the hopeful young things on the other side of the audition-room door would just die if they saw the recurrent “NVI” Sher wrote next to their names. Bartlett Sher is broadway's secret weapon for rethinking classics. “Sixty years later, that leap across is something we’re still struggling with.”, Sher credits Chung with bringing a much-needed stability to his family. “I worry about class,” Sher said, surveying the wall. It just made me hypersensitive to others. “Let’s go on.”. Winner of seven 2008 Tony Awards! When the daughter falls in love with a young, handsome Italian, the mother fears that his family will discover her daughter’s secret and reject her. “Musicals in general feel middle class. Eventually, I could see a child from a family battered by a hideous, years-long divorce, trying to use his work as a way to both stand out and stay safe. “Everyone’s telling me how brilliant he is. Director Bartlett Sher arrives for the 2018 Tony Awards Meet the Nominees press junket at the InterContinental New York Times Square Hotel on May 2, 2018. Movement of any sort seems to soothe him. Another young man. He crept down slowly, his face shining with sweat. In the rehearsal, most of the singers “marked,” meaning they sang at half voice or less as they walked through the blocking. Praticò speaks little English, and Sher stood in front of him as he sang, stopping him while a translator made clear his points. Bartlett Sher is currently represented on Broadway by Fiddler on the Toof and The King and I (Tony Award nomination). Awards and nominations. “Well, that was bad.” He changed it. Yes, even these for the chorus. They were still tentative in the yawning space, so their instinct was to move upstage and hide. I’ll push them and I’ll keep them going, but I’ll take care of them in it. Sher's King — presented, as was South Pacific, by Lincoln Center Theater — is up for nine Tony Awards this year, more than any other revival. At 48, he has been working steadily for 27 years, even stepping back at one point to take an associate’s job to the British director, Sir Peter Hall, in 1999, on “Measure for Measure” and “A Midsummer Night’s Dream,” for the opportunity to learn more about verse. I need working class.”, Surprisingly, he moved the picture of the actor whom he’d made read the scene three times over to the “hired” side. It’s hard to know if he’s simply on the run and doesn’t pay attention to his uniform or if he’s cultivating the look of having somehow nodded off in a loft in Prague without making it home in time to change. But you have to have a very high level of love for how messy and screwy people are, and not be afraid to get messy when you’re working with them. We just were in the middle of it.”. I mean, not every syllable.”. Transposed down half a step, he hit it out of the park. He rarely loses his cool.”. by Keith Price's Curtain Call from desktop or your mobile device “Do it one more time.” By that point Vassallo was as white as the apron. NEW YORK — Seattle’s Bartlett Sher bagged Broadway’s top honor Sunday night — one of seven Tony awards lavished upon the New York revival of “South Pacific” that he directed. “We have to sing it as well as it has ever been sung,” he said. “You be the barber.” Garanca grinned back and pointed across the stage. “South Pacific,” inspired by James Michener’s “Tales from the South Pacific,” his Pulitzer Prize-winning novel about World War II, is a thorny property because it combines the conventions of musical theater with the hard-core themes of racism and the lost innocence of a nation gone to war. “I have not decided if I’m extending the contract,” he said. Bartlett Sher accepts the 2008 Tony Award® for Best Direction of a Musical for his direction of Rodgers & Hammerstein's SOUTH PACIFIC at Lincoln Center Theater. He received both the 2008 Tony Award and the Drama Desk Award for his direction of the Broadway revival of South Pacific. Share Bartlett Sher on Twitter Director Equally successful in theater, opera, and musicals, the celebrated American director, who has been nominated for six Tony Awards, received both the Tony and the Drama Desk Award for the universally acclaimed Broadway revival of … But don’t tell him. He is the Resident Director of Lincoln Center Theater, where he has directed Golden Boy by Clifford Odets (Tony Nomination), Blood and Gifts by J.T. But I have an artistic home here and the ability to experiment, create a body of work.”. He was awarded the 2011 Back Stage Garland Award for Direction for "South Pacific" in a Lincoln Center Theater production at the Ahmanson Theatre in Los Angeles, California. That may be, though the persistent state of agitation in which he lives has very real roots. That kind of English Praticò understood. The day after the Tony Awards, Bartlett Sher, who is nominated for his direction of “Joe Turner’s Come and Gone,” will dive into his next … Overkill, bursting with nerves. Although they didn’t marry for another 20 years, Chung, whom Sher considers his stepfather, moved in with the family and helped raise the children. Select from premium Bartlett Sher of the highest quality. He was already out the door. Sher prefers placing discussions of his problematic childhood within the social and historical context of 1960s and ’70s San Francisco, where he grew up Grateful Dead concerts and anti-Vietnam demonstrations much as he would set a play in a specific time period to comment on the action. - 32nd Annual Lucille Lortel Awards - Press Room The Rodgers and Hammerstein part is very much mixed with Joshua Logan’s sense of it.” (Logan co-wrote the script and directed the original production.) “Is that what we did?” She nodded. Bartlett Sher Tony Award-Winning Stage Director; Best Known for "South Pacific" and "Oslo" Sher served as associate artistic director at Hartford Stage (Hartford, Connecticut) and company director at the Guthrie Theater (Minneapolis, Minnesota) where he worked with Garland Wright, who was a mentor as was Robert Woodruff.