[25], The philosopher Baruch Spinoza proposed in his Ethics (1677) that a man can die before his body stops moving. Mai 1627 in Córdoba) war ein spanischer Lyriker und Dramatiker des Barockzeitalters, der Initiator und Hauptvertreter der als Culteranismo bezeichneten âdunklenâ Stilrichtung. Luis Alfonso de Alba Góngora es un diplomático mexicano. [21], Rafael Alberti added his own Soledad tercera (Paráfrasis incompleta).
Cervantes, after reading "El Panegírico", said: "the [work] I most esteem from those I've read of his. 14 likes. The Generation of '27 took its name from the year in which the tricentennial of Góngora's death, ignored by official academic circles, was celebrated with recitals, avant-garde happenings, and an ambitious plan to publish a new critical edition of his work, as well as books and articles on aspects of his work that had not been fully researched. Velázquez painted his portrait. [8] He was also the first to write poems imitating the speech of blacks. Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time. Luis de Góngora y Argote (Spanish pronunciation: ; 11 July 1561 â 24 May 1627) was a Spanish Baroque lyric poet.Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time., are widely considered the most prominent Spanish poets of all time. Culteranismo existed in stark contrast with conceptismo, another movement of the Baroque period which is characterized by a witty style, games with words, simple vocabulary, and conveying multiple meanings in as few words as possible. His Baroque, convoluted style, known as Gongorism (gongorismo), was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th century. He took religious orders so that he might receive an ecclesiastical benefice but was not ordained priest until he was 55 years old, when he was named chaplain to the royal court in Madrid. An edition of his poems was published almost immediately after his death by Juan López de Vicuña; the frequently reprinted edition by Hozes did not appear until 1633. In Giannina Braschi's bilingual novel Yo-Yo Boing! Quevedo even accused his enemy of sodomy, which was a capital crime in 17th century Spain. In the second of the five parts of Roberto Bolaño's novel 2666 (published posthumously in 2004), "The Part about Amalfitano", one of the characters (the poet, whose name is never explicitly stated) quotes a verse from Góngora: Ande yo caliente y ríase la gente. The movement aimed to use as many words as possible to convey little meaning or to conceal meaning. Both poets composed lots of bitter, satirical pieces attacking one other, with Quevedo criticizing Góngora's penchant for flattery, his large nose, and his passion for gambling. While his circle of admirers grew, patrons were grudging in their admiration. Luis de Góngora, in full Luis de Góngora y Argote, (born July 11, 1561, Córdoba, Spain—died May 23, 1627, Córdoba), one of the most influential Spanish poets of his era. Análisis de la más bella niña, de Luis de Góngora Ya desde la primera estrofa nos encontramos ante unos versos rompedores e incomprensibles. He considered Góngora to be one of the good ones. Let us know if you have suggestions to improve this article (requires login). Luis de Góngora y Lopes (Córdova, 11 de julho de 1561 â Córdova, 23 de maio de 1627) foi um religioso, poeta e dramaturgo castelhano, um dos expoentes da literatura barroca do Siglo de Oro Political / Social. He also argued that the apparent simplicity of some of Góngora's early poems is often deceptive. "[8] This anti-gongorine sonnet mocks the unintelligibility of culteranismo and its widespread use of flowery neologisms, including sulquivagante (he who plies the seas; to travel without a clear destination); speluncas ("caves"); surculos (sprouts, scions).
The narrator of the Captain Alatriste series, a friend of Francisco de Quevedo within the stories, illustrates Góngora’s feuding with Quevedo, both by quoting poetry from each as well as describing Quevedo’s attitude toward Góngora through the course of the story. Congresos y jornadas con expertos en la vida y obra del poeta Luis de Góngora. [26] Spinoza historian Carl Gebhardt wrote that "this was probably Góngora, whose works Spinoza possessed, and who lost his memory a year before his death".[27]. In a Spanish era when purity of Christian lineage (limpieza de sangre) was needed to gain access to education or official appointments, he adopted the surname of his mother, Leonor de Góngora. Leer, escuchar y descargar audio mp3. He argued that Góngora's more complex poems built on stylistic devices that had been created in Góngora's early career as a poet. [1] His uncle, Don Franscisco, a prebendary of Córdoba Cathedral, renounced his post in favor of his nephew, who took deacon's orders in 1586.[2]. Luis de Góngora. spanyol barokk költÅ, a legkiemelkedÅbb spanyol irodalmárok egyike. The son of a judge, Góngora profited from his father’s fine library and from relatives in positions to further his education. Ultimately, in 1617 through the influence of the Duke of Lerma, he was appointed honorary chaplain to King Philip III of Spain, but did not enjoy the honor long. Góngora also wrote sonnets concerning various subjects of an amatory, satirical, moral, philosophical, religious, controversial, laudatory, and funereal nature. Luis de Góngora Works Smoller Poems Mayor poems. [10] Alonso explored his work exhaustively and called Góngora a "mystic of words. Äervence 1561 Córdoba â 23. kvÄtna 1627 tamtéž) byl Å¡panÄlský básník, dramatik a knÄz, vrcholný pÅedstavitel období Siglo de Oro (âzlatý vÄkâ), vůdÄí postava literárního smÄru známého jako kulteranismus, pozdÄji též góngorismus. Hoy en día se le reconoce como el máximo expositor del culteranismo, corriente literaria que alternativamente es llamada gongorismo. [19], The Generation of '27 was the first to attempt to self-consciously revise baroque literature. [14] The Fábula is written in royal octaves (octavas reales) and his Soledades is written in a variety of metres and strophes, but principally in stanzas and silvas interspersed with choruses. [24] In this lecture, Lorca paid Jean Epstein the compliment of comparing the film director with Góngora as an authority on images. ", CVC. The Spanish poet Luis de Góngora y Argote (1561-1627) caused a furor with his use of complex metaphor, Latinized vocabulary, unconventional syntax, and metaphysical subtleties. His bishop accused him of rarely attending choir, and of praying less than fervently when he did go. » She replies: «It Espainiako Urrezko Mendeko poesiaren berritzaile jenialenetakoa eta kulteranismo korrontearen ordezkari nagusia izan zen. Las sátiras de Quevedo. Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles. Luis de Góngora y Argote (n.2020, Córdoba, Kingdom of Córdoba[*] , Coroana Castiliei â d. 23 mai 1627, Córdoba, Kingdom of Córdoba[*] , Coroana Castiliei) a fost un poet Èi dramaturg aparÈinând âSecolului de aurâ al literaturii spaniole, cel mai de seamÄ reprezentant al curentului literar cunoscut sub denumirea de ⦠Luis de Góngora y Argote [1] (Córdoba, 11 de julio de 1561-ib., 23 de mayo de 1627) fue un poeta y dramaturgo español del Siglo de Oro, máximo exponente de la corriente literaria conocida más tarde, y con simplificación He attended the University of Salamanca and achieved fame quickly. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Get a Britannica Premium subscription and gain access to exclusive content. Reproduction Date: Luis de Góngora y Argote (Spanish pronunciation: ; 11 July 1561 – 24 May 1627) was a Spanish Baroque lyric poet. [12], As Dámaso Alonso has pointed out, Gongora's contribution to the Spanish language should not be underestimated, as he picked up what were in his time obscure or little-used words and used them in his poetry again and again, thereby reviving or popularizing them. He usually used tradicional refrains. In the poem's end, Acis, enamored with Galatea, is turned into a river. His letters, as well as some of his satirical verse, show an unhappy and financially distressed life vexed by the animosity that some of his writings had evoked. Programa: Al Sur (20/11/2011) As a canon associated with this Cathedral, he traveled on diverse commissions to Navarre, Andalusia and Castile. Numerous documents, lawsuits and satires of his rival Quevedo paint a picture of a man jovial, sociable, and talkative, who loved card-playing and bullfights. Luis de Góngora y Argote (11. Luis de Góngora (1561 â 1627) fue un destacado poeta y dramaturgo, así como uno de los más importantes representantes del Siglo de Oro español. A los 15 años e⦠Take advantage of our Presidents' Day bonus! Gratis. WHEBN0000269775
Les seves obres van ser objecte d' exegesi ja en la ⦠His Fábula de Polifemo y Galatea (Fable of Polyphemus and Galatea) and his Soledades (1613) are his best-known compositions and the most studied. Gongora was born to a noble family in Córdoba, where his father, Francisco de Argote, was corregidor, or judge. "[6], Góngora had a penchant for highly Latinate and Greek neologisms, which his opponents mocked. In 1626 a severe illness, which seriously impaired the poet's memory, forced him to return to Córdoba, where he died the next year. He maintained a long feud with Francisco de Quevedo, who matched him in talent and wit. Góngora og erkerivalen Francisco de Quevedo var de mest fremtredende lyrikerne i Spania på denne tiden. As an example he mentioned "a Spanish poet who suffered an illness; though he recovered, he was left so oblivious to his past life that he did not believe the tales and tragedies he had written were his own". [15], Góngora's Fábula de Polifemo y Galatea (1612) narrates a mythological episode described in Ovid's Metamorphoses: the love of Polyphemus, one of the Cyclops, for the nymph Galatea, who rejects him. [13], Góngora's poems are usually grouped into two blocks, corresponding more or less to two successive poetic stages. Análisis Mientras por competir con tu cabello Mientras por competir con tu cabello es uno de los sonetos más conocidos de Luis de Góngora y fiel representación del Barroco español. Nacido en el seno de una familia acomodada, estudió en la Universidad de Salamanca. Luis de Góngora. He had strong partisans—Lope de Vega was an admirer—and equally powerful enemies, none more so than his rival Francisco de Quevedo, who outdid even Góngora in mordant and unrelenting satire. "[17], He also wrote plays, which include La destrucción de Troya, Las firmezas de Isabela, and the unfinished Doctor Carlino.[18]. This angry feud came to a nasty end for Góngora when Quevedo bought the house he lived in for the only purpose of ejecting him from it. While every effort has been made to follow citation style rules, there may be some discrepancies. Omissions? Sexual Content
Poesia. Updates? Luis de Góngora y Argote Luis de Góngora y Argote (Còrdova, 11 de juliol de 1561 - 23 de maig de 1627) fou un poeta i dramaturg del Segle d'or espanyol, màxim exponent del corrent literari conegut com a culteranisme o gongorisme, que més tard imitarien altres artistes. Luis de Góngora y Argote (* 11. He composed octosilabic romances but his romances could have seven lines (endechas) or six lines (romancillos) too. Jones of selected poems was published in 1966. His style is characterized by what was called culteranismo, also known as Gongorism (Gongorismo). There has been a temptation to divide his work into the light-dark and easy-difficult, but 20th-century criticism has shown his compositions to have a unity that is perhaps clouded by the compactness and intensity of style in the longer ones. Ele pertencia à Idade de Ouro da Espanha, também conhecido por ser o mais alto representante do culteranismo, tendência literária cujo objetivo era tornar a expressão mais intensa. Nombrado racionero en la catedral de Córdoba, desempeñó varias funciones que le brindaron la posibilidad de viajar por España. Ocupó el cargo de Subsecretario para América Latina y el Caribe en la Secretaría de Relaciones Exteriores durante el gobierno del Presidente Enrique Peña Nieto. Luis de Góngora y Argote (Córdoba, España, 1561-id., 1627) Poeta español. This article was most recently revised and updated by, https://www.britannica.com/biography/Luis-de-Gongora, All Poetry - Biography of Luis de Gongora y Argote, Luis de Góngora y Argote - Student Encyclopedia (Ages 11 and up). El soneto de Quevedo: «Sulquivagante, pretensor de Estolo»: ensayo de interpretación, http://www.upf.edu/todogongora/_pdf/Ponce_Cxrdenas_El_Panegxrico_al_duque_de_Lerma_Trascendencia_de_un_modelo_gongorino.pdf, Garcia Lorca, Federico - CanalSocial - Enciclopedia GER, Spinoza (1677/1985), p. 569 (scholium to proposition 39 of part 4), WorldHeritage articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, WorldHeritage articles incorporating text from the 1911 Encyclopædia Britannica, Articles with Spanish-language external links, English translations of some of Góngora's poems, Góngora website, Brown University Department of Hispanic Studies. "[23], Lorca presented a lecture called "La imagen poética en don Luís de Góngora" at the Ateneo in Seville in 1927. Our editors will review what you’ve submitted and determine whether to revise the article. Are you certain this article is inappropriate? An English translation by R.O. El cordobés Luis de Góngora y Argote (1561-1627) es el máximo representante del culteranismo, corriente de la poesía barroca que busca la belleza formal mediante un estilo suntuoso, abundante en metáforas, latinismos, voces sonoras, hipérbatos y alusiones mitológicas. In his "Contra el mismo (Góngora)", Quevedo writes of Gongora: No altar, garito sí; poco cristiano, / mucho tahúr, no clérigo, sí arpía. The cold beauty of his lines at last found an appreciative and receptive audience willing to see the value of verse that shunned intimate emotion but that created the purest poetry for its own sake. Excessive Violence
Luis de Góngora. ... Incialmente las Soledades de Góngora era un ambicioso proyecto que comprendía cuatro partes, Soledad de los campos, Soledad de las riberas, Soledad de las selvas y Soledad del yermo.. Luis de Góngora, in full Luis de Góngora y Argote, (born July 11, 1561, Córdoba, Spainâdied May 23, 1627, Córdoba), one of the most influential Spanish poets of his era. Mientras por competir por tu cabello...Recitador: Rafael TaiboPiano y composición: Josué Bonnín de Góngora ), a Latinizing movement that had been an element in Spanish poetry since the 15th century. [9] Góngora also had a penchant for apparent breaks in syntactical flow, as he overturned the limitations of syntax, making the hyperbaton the most prominent feature of his poetry. Juli 1561 in Córdoba; â 24. 14 likes. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Don Luis de Góngora y Argote nace en Córdoba el 11 de julio de 1561. Góngora was always successful with his lighter poetry—the romances, letrillas, and sonnets—but his longer works, the Fábula de Polifemo y Galatea (circulated in manuscript in 1613; “Fable of Polyphemus and Galatea”) and the Soledades (circulated in manuscript in 1613; “Solitudes”), written in an intensely difficult and purposely complex style, provoked the scorn and enmity of many. "Góngora's poetry is inclusive rather than exclusive", one scholar has written, "willing to create and incorporate the new, literally in the form of neologisms. Gongorismo derives from a more general base, culteranismo (q.v. His baroque style became known as Quevedo lampooned his rival by writing a sonnet, "Aguja de navegar cultos," which listed words from Gongora's lexicon: "He would like to be a culto poet in just one day, / must the following jargon learn: / Fulgores, arrogar, joven, presiente / candor, construye, métrica, armonía..."[7] Quevedo actually mocked Gongora's style in several sonnets, including "Sulquivagante, pretensor de Estolo. His Baroque, convoluted style, known as Gongorism ( gongorismo ), was so exaggerated by less gifted imitators that his reputation ⦠Please refer to the appropriate style manual or other sources if you have any questions. Lawrence Durrell in his novel Clea (1960), part of The Alexandria Quartet, includes a passage from the journal of his fictional novelist Pursewarden: "Why should the artist always be trying to saturate the world with his own anguish…emotional gongorism!". World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization. Romances: Wrote almost a hundred. Luis de Góngora y Argote (Cordova, 11 luglio 1561 â Cordova, 23 maggio 1627) è stato un religioso, poeta e drammaturgo spagnolo del Secolo d'Oro (Siglo de Oro), massimo esponente della corrente letteraria conosciuta come culteranesimo o gongorismo, che più tardi altri artisti imiteranno. The 19th century found little to like in the obscure and difficult Góngora, but his tercentenary in 1927 reestablished his importance. Around 1605, he was ordained priest, and afterwards lived at Valladolid and Madrid. Texto y audio. GÓNGORA Y GARIBALDI, "There's no altar, but there's a gambling den; not much of a Christian, / but he's very much a, http://sonnets.spanish.sbc.edu/Quevedo_Nariz.html Translation: "Once there was a man stuck to a nose, / it was a nose more marvellous than weird, / it was a nearly living web of tubes, / it was a swordfish with an awful beard. The same devices are found in his more popular lyrics. Miguel de Cervantes, in his Viaje del Parnaso, catalogued the good and bad poets of his time. Spain, France, Amsterdam, Berlin, European Union, Museo del Prado, Las Meninas, Madrid, Titian, Metropolitan Museum of Art, Seville, Spanish language, Granada, Autonomous communities of Spain, Guadalquivir, Martin Luther, Book of Concord, Lutheranism, Christianity, Philippists, French language, Colombia, Mexico, Nicaragua, Catalan language, Spain, Miguel de Cervantes, Spanish Civil War, Spanish language, Epic poetry, Spanish Civil War, Avant-garde, Surrealism, Federico García Lorca, World War II, Don Quixote, Pedro Calderón de la Barca, Philippines, Miguel de Cervantes, Spain, William Shakespeare, John Dryden, Pedro Calderón de la Barca, Molière, Jean Racine, Spain, United Left (Spain), Unesco, Guadalquivir, Roman Empire. Vicuña's work was appropriated by the Spanish Inquisition and was later surpassed by an edition by Gonzalo de Hozes in 1633.